Saturday, May 1, 2010

The Great Gatsby -- Assignment Schedule

I've been told that, due to the CAT testing, we will likely have a shortened period on Monday (May 3) and no class on Tuesday (May 4). Assuming that's accurate, I have drawn up the assignment schedule for our unit on The Great Gatsby. I will hand out a hardcopy of the assignment sheet on Monday, along with blank data sheets. I've also posted the assignment sheet online so you can take a look at what's ahead. The introductory material is also now available online.

In brief, you should have the book read in its entirety (180 pages) by Thursday, May 6. That is the day of our first discussion. We'll cover Chapters I-III that day.

Ideally, you will read quickly through the novel by Thursday, and then go back and read more carefully, annotating with a pen, in preparation for the discussion days. This will be the last unit and the last reading of the year. Finish strong!

Thursday, April 29, 2010

How to Title a Research Paper

Before you break out the Fresca tonight in celebration of finishing your term paper, here are a few tips on the final aspect of your project: giving the research paper a splendid title.

A good title has several characteristics. It:

1. Creates a positive impression and stimulates reader interest
2. Is limited to 15 to 20 substantive words
3. Does not include "study of," "analysis of" or similar constructions
4. Indicates your topic in a clear and precise way, not just repeating the title of the literature.
5. Indicates the proper scope of the research; not too general or too vague
6. Does not take the form of a question (e.g., "What Is It with Huck Finn?")

The Subtitle
You may use a subtitle to explain or provide context. This is especially important if the main title is literary, provocative, or imaginative, i.e. "Rusty Rails in the Sunset: Railroad images in 15 special collections in Tennessee academic libraries."

Wednesday, April 28, 2010

25th annual Gatsby Summer Afternoon


Here's an excellent little blog posting from Dandyism.net. The photos give you an excellent idea of what the Gatsby set looked like -- the way they dressed, the way the men wore their facial hair -- for example, with the pencil-thin military mustache or the handlebar mustache -- and the way they sat around looking cool even while wearing striped socks. Check out the yellow car in one of the photos, a replica of Gatsby's wheels.

In case you're wondering what a "dandy" is, take a look at "Anatomy of a Dandy." Here's an excerpt:

The magic of dandyism resides in the interplay between the dandy’s temperament and his appearance. Yet it is not a question of simple harmony, for one dandy may combine severe dress with a jocular demeanor, while another meshes cold aloofness with colorful and audacious dress. Nevertheless, what follows is an attempt to describe the indescribable, to unravel the formula of dandyism’s certain something. A dandy exhibits the following characteristics:

1. Physical distinction: Dandyism can only be painted on a suitable canvas. It is impossible to cut a dandy figure without being tall, slender and handsome, or having at least one of those characteristics to a high degree while remaining at least average in the other two. Fred Astaire was neither tall nor handsome, but he was “so thin you could spit through him.”

2. Elegance: Elegance, of course, as defined by the standards of a dandy’s particular era.Dandies must love contemporary costume, says Beerbohm, and their dress should be “free from folly or affectation.”

3. Self-mastery: Barbey speaks of the dandy’s staunch determination to remain unmoved, while Baudelaire says that should a dandy suffer pain, he will “keep smiling.”

4. Aplomb: While self-mastery is the internal practice of keeping emotions in check, aplomb is how it is expressed to the dandy’s audience.

5. Independence: Ideally financial independence, but if the dandy is forced to work, a spirit of independence will be expressed through his work, as with Tom Wolfe. Independence — often to the point of aloofness — will also characterize the dandy’s dealings with the world.

6. Wit: Especially a paradoxical way of talking lightly of the serious and seriously of the light that carries philosophical implications.

7. Blasé: A skeptical, world-weary, sophisticated, bored or blasé demeanor

8. Egotism: A self-mocking and ultimately endearing egotism

9. Dignity/Reserve

10. Discriminating taste

11. A renaissance man: A complete gentleman, who, according to Sir Fopling, ought to dress well, dance well, fence well, have a genius for love letters, and an agreeable voice for a chamber.

12. Caprice: Because dandies are an enigma wrapped in a labyrinth, and because dandyism makes its own rules, the final quality is the ability to negate all the others.

Gents, if you think you might be a dandy, take the "How dandy are you?" quiz.

Monday, April 26, 2010

Flapper Culture of the Roaring Twenties





Flapper culture of the 1920's



Roaring Twenties Dance Craze

Wanna Listen to Some Jazz?


Our local stations in Cincinnati have a pretty decent selection of programs to choose from if you want to sample some of the various forms of jazz:

Warm 98 (ugh) actually has a pretty decent jazz program on Saturday nights. It's called Cool Jazz Saturday Night and is available to listen to all week through their website. They play a range, but it's mainly cool jazz.

89.3 WMKV (a great but relatively unknown station located in warm and cheerful Reading) has a number of excellent swing, big band and other jazz programs through the week. Check their website for schedules. Particularly recommended is When Swing Was King -- that would be in the 20's, the Jazz Age.

91.7 WVXU has a piano jazz program on Sunday nights at 11:00 pm preceded by Jazz with OT at 9:00 pm -- highly recommended.

I also recommend BBC3's Jazz programs, which you can listen to using the BBC iPlayer.